The collection includes the most poignant tale you will ever read about the most useless super-conveyance in the annals of comicdom: The Spider-Mobile. The real story of why a guy who can swing from a web with the greatest of ease needs a frickin' car is seriously and unexpectedly beautiful, and worth the price of the book all on its own.Equally worthy of a shout-out is the tome's final issue, a little too talky to be succinctly summarized here, but a great summation of the contrast and the bond between the two titular heroes. From a 2009 standpoint, it serves to reinforce the tragedy of Spider-Man's "Brand New Day" reboot. Not only has Spider-Man lost the life he'd built with Mary Jane (a life that made him the envy of rockstar superhero Johnny Storm), but in forcing the world to forget his secret identity, he's diminished some fantastic friendships (pun intended).
Some may think Spider-Man works best as a tragic loner, but I don't buy it. He's worked hard to forge these relationships, through 40+ years of funny books, and he deserves to enjoy them in full.
And if that weren't enough, Slott even finds a way to incorporate these classic Hostess ads into canon. If that ain't great comics, then I don't know what is.
- JC